The exhibition Equis, Y Griega, Zeta focuses on 3 generations of artists from Mexico: X, Y and Z. The concept keeps in mind the geographic location of the presentation and a perspective informed by anonymous gallery's roots in Mexico City.

The tangled forms - solemn, amusing or grotesque - of life in society identify themselves before themselves in a rather typical way: crowds that are made and remade every minute, planned and unforeseen carnivals, purchasing power, the pleasure of getting lost in the labyrinths of energy or inertia. Here greed devours everything, resignation sanctifies everything, relaxation knows everything and ignores everything at the same time. Seen from the outside, the chaos to which these chronicles allude (in its traditional, pre-scientific meaning) is basically linked to one of the most constant characterizations of Mexican life, which indicates its "fierce disorder." If this was ever true, it is no longer true. In my opinion, the fairest description of what is happening balances the apparent lack of meaning with the haughty imposition of limits. And in chaos begins the perfection of order.

― Carlos Monsivais (Los Rituales del Caos)